I’ve had a slab of Locust that has been hanging around the shop for over 25 years. I had forgotten how gorgeous the grain is in this wood. The rings are Milliput – a 2 part epoxy putty. This particular color is actually make for repairing terracotta pottery. The bowl is quite heavy as I wanted a wide rim.
After a lengthy vacation and getting the shop ready for cold weather I was finally able to complete a couple of projects. This piece of oak (or maybe pecan) was sitting out behind my shop for a long, long time and when I cut into it I found some very nice spalting. It was a bit “spongy” which necessitated gluing a piece of hardwood on the bottom for good attachment to the lathe but I rather liked the look so I turned that into a foot. I also didn’t want to go too small so I left the bark inclusion on the side which also added to the appeal of the piece. I have more photos which I have yet to process of this and some other piece of late.
After battling a post-trip head cold I was finally able to make some dust. This project I actually started before leaving and finally finished up. Had a few short boards of what I suspected was black cherry. the grain was so figurative that I had to use them in a pot. The only ways was to do another segmented one. I think this urn gives you the idea. The smaller pieces are more of the maple counter top that I made the other segmented vessels from. The top and bottom are the standard cherry I usually use.
I hadn’t done a totally segmented piece for some time. I have had a tonne of old maple counter top sitting in my shop for 25 years and this is the perfect kind of project to start using that up. Each piece in the counter top was 2″ x 2″ which dictates the size of the segments a bit but I only used about 1 1/2 ” for the height of each. The grain figure is very pronounced and the cherry accents it very well. The cherry has been out there even longer as I had a few boards left from when I fabricated cherry trim for my family room 30 years ago.
I had a great time at the the tour and met a lot of very interesting folks. The weather was gorgeous after anticipating hurricane conditions. I was also able to sell 20% of my inventory on hand, so I have been working hard to replace the items I sold to have plenty for the holiday season. I often get on a theme and keep it up so I used up some more of my spalted wood stash to go back to my “honeypot” design from a couple of years ago. This piece is spalted oak with sapele top and bottom and would be perfect for holding tea bags or anything else you may have in mind.
Getting ready to work the Oxford Artists’ Studio Tour on Sunday, from noon to 4 PM in Oxford, MD. Will be sharing space with Sean Wells who is a fantastic painter! Hopefully it will be a learning experience for me in more than a few ways. I am delighted to move some inventory from the shop — more than 30 pieces. Some have been shown here, some not.
This maple blank was painted with white lacquer and has a teak top (which has been hanging around my shop for about 25 years). I have to say that I hate working with teak. It dulls tools quickly and smells awful but it sure is pretty when finished. Only one more white blank sitting on the bench after this one — I have special plans for it.
Since I have been turning a lot of black items I wanted to stretch a bit and do white. I had tried to achieve a transparent white in the past and was very disappointed so this time I went in a different direction. I got some white spray lacquer and used that. What i found was that certain areas of the wood wouldn’t take the lacquer which seemed odd. So this piece I ended up using spray paint. I did figure out that sealing the wood first with a coat of shellac solves the adhesion problem and have several other white projects in progress on the bench.
This piece of cedar was just too “cedary” for an urn like this so I decided to go the limit and ebonize it. This was done with black lacquer in a spray can (after a lot of careful taping). I had added the foot and rim before deciding to blacken the project but wanted to leave those natural. That did add a lot of time to the project. Plus trying to achieve a perfect finish in gloss black is a nightmare. I got about a 98% perfect finish — the best I could hope for. The top was done with white spray lacquer just for the dramatic contrast.